Archive for May, 2010

Mysterious Philly

Of all the vacation spots you can imagine, I’ll bet Philly never placed in the top ten. Of all the reasons you might’ve considered Philadelphia for a vacation, I’m guessing mystery and the mysterious didn’t come to mind. Cheesesteakes, mummers, but not mystery. Right?
As a guy who was born and raised in the city of Brotherly Love, I think it’s a great place to vacation for a lot of reasons. One is that there’s plenty to recommend this city for the mystery lover. This is one of the reasons I chose to set my mystery series here and why my detective is a native Philadelphian.
We’ve got plenty of mysteries, not to mention political corruption and intrigue, and more than enough crime to appease your appetite (if that’s the diet you’re on). Philadelphia has always had a rough and tumble reputation (despite it’s Brotherly Love moniker). From The Unicorn Killer to the Lex Street massacre, from the South Street Stalker to the Frankford Slasher, Philly has its share of crime and the mysterious. It’s fertile territory for a mystery writer. How could I not be into mystery and set my series here? Murder on Camac is just the beginning.
Though other cities have a claim on him, Poe remains one of the most famous mystery figures to have lived in Philadelphia. He and his wife moved here in 1838. But more than just residing in Philly, during the years Poe graced these cobblestone streets, he was at his most productive and inventive.
So, what makes Philly a mysterious destination?

Some claim that the modern detective story was invented by Poe – and it’s with stories he wrote while he lived in Philadelphia. “Murders in the Rue Morgue” is credited as the start of modern detective tales and Philly was where it was penned. C. Auguste Dupin, Poe’s creation, and a detective thought to be a prototype for Sherlock Holmes – was invented here in Philly. Dupin solved cases quite creatively using a combination of techniques. He appeared in three of Poe’s stories. In addition to the Rue Morgue, Dupin solved cases in “The Mystery of Marie Rogêt” and “The Purloined Letter.”
When you visit this city, you can walk the same streets Poe did and maybe become as inspired. You might even visit the last home he lived in during his Philadelphia years – the Poe House at Seventh and Spring Garden Streets has been preserved and is a certified national historical building.
But the mysterious and the gothic in Philadelphia stretch further back in time than Poe and his years here. Gothic fiction (a mix of romance, horror, the supernatural, etc.) was thriving in Europe for a while before it reached America. When it crossed the Atlantic, a Philadelphian, Charles Brockden Brown, is the one who Americanized and urbanized the form in the late 18th and Early 20th Centuries. Others joined in the tradition including Robert Montgomery Bird, and George Lippard whose The Quaker City was the best selling novel in America for a while in the mid nineteenth century. Lippard was also a close friend of Edgar Allen Poe.
The Philadelphia literary scene was filled with the gothic and murder and mystery when Poe arrived. It was up to him to take it to a new level and Philly inspired him to do it.
We have plenty of other mystery greats living and working here. If you’ve never read a Lisa Scottoline novel you’ve got a treat in store. A Philadelphia lawyer, her protagonist is also a Philadelphia lawyer (go figure) who deals with absorbing problems and crimes. The Amanda Pepper mystery series by Gillian Roberts (who used to live here) features Pepper who’s a prep school teacher and finds herself in one crime ridden situation after another.
It was a natural for me to set this particular mystery series in Philadelphia for a lot of reasons. Murder on Camac is the first book in the series and though it has connections to the thirty year old death of a pope in Rome, takes place in Philadelphia’s center city area.
When the characters began to take shape in my mind, there was nowhere else they wanted to live but in Philadelphia. The P.I. is Marco Fontana, an Italian with roots in South Philly which is still has a touch of Italy but not so much as it was when Marco was growing up. Most of his family is still there with the exception of a brother or two. But even Marco moved to Philly’s central district where the gayborhood is located. No matter, trouble finds him anywhere and so do members of his family when they want to.
In Murder on Camac, readers get to meet Marco’s loyal band of friends and associates who work with him, give him acita, make his life fun and sometimes exasperating, but most of all form a family of the heart which keeps him moving along.

There are plenty of opportunities for short story writers here — the industrious mystery writer needs to dig in and find them. Of course, romance, science fiction, and more have blossomed from the fertile soil here. From short stories to longer tales, Philly has plenty to inspire you.
There’s never enough mystery and Philadelphia is right up there with the best in providing plenty of mysterious opportunities.

Bring On The Summertime!

School is out!  Almost.

Well it should be done by now! It’s Memorial Day weekend and while it seems silly to me, many districts still have a few days to go after this long weekend. I don’t think I’ve ever been more eager to be done with a school year.

I’m not sure why…

Maybe it’s having the whole family home for awhile. Today my daughter returns from boarding school (think Hogwarts for super science geeks). And I won’t be the least bit surprised if she gloats about being done while her brother has to go back next week…

For a day and a half.

Really? I have to drive carpool for a day and a half when grades were turned in three days ago? It’s one thing if the district started after Labor Day, but in our area, they go back mid-August…but it doesn’t matter.

Summer is mostly here…

I can smell the sunscreen! Sure there will be required reading (for me and the kids), but there will also be plenty of days with lots of writing and no alarm clock (beyond the weird duck with a rooster complex who’s been waking me up lately).

There will be more company for the evening walks with the greyhounds, more help with dishes after dinner, more time at the pool and the beach, more voices to debate games and movies, more ‘fun’ as the oldest gets licensed to drive…

EEEK! When does she move back to school?

What milestones mark your summer past and present?

Live the adventure, moment by moment!

Regan Black

Regan is the author of the Shadows of Justice series of novels and novellas, the Hobbitville Saga of short stories for young adults, and the Adopt A Greyhound Guide for anyone looking for the best in canine companionship! Visit Regan anytime at her website or on Facebook.

Murder @ a Little Bead Shop

What do beads, computer hackers and extramarital affairs have in common? They all have a place in an Echelon Short book “Murder @ a Little Bead Shop” by Yvonne Walus.

Book Excerpt

The computer thing is just something I do in my spare time. Beading is not a profession that pays a lot. With computers, however, even the sky’s not the limit.

Just before I turned off the machine, I quickly logged into Messenger. I try not to be an overwhelming mother-slash-grandma, so I usually restrict myself to one chat session per week. However, recent developments in my daughter’s household made me break the self-imposed rule.

Born2LiveLife: U were right, mum. His concern for my me-time was just a front. The only applicant for the job turned out to be, of course, his clandestine piece of skirt.

Suz: Which piece of skirt would that be? The one who emails him erotic poetry? The one he meets in the sleazy chat room? Or the one he works with on that late-night project?

Born2LiveLife: Mom! U R being catty.

Suz: Sorry. So what happened?

Born2LiveLife: I hired her, like we discussed.

Suz: Good girl!

Born2LiveLife: Feels weird to know she’ll be living in my house, U know? Rick finds it exciting, though. He was like a lion in bed last night.

Suz: I bet. But enough about Rick. Tell me about my grandchildren.

Born2LiveLife: They R fine. So what now?

Suz: Did Zoë recover from her tummy bug? Is Connor still coughing at night?

Born2LiveLife: Mom!!!

Suz: Okay, okay.

Born2LiveLife: So what do I do now? What’s your clever plan?

Buy link: “Murder @ a Little Bead Shop

The Write Stuff

I didn’t set out to be a writer.  I was just a student (Philosophy, if you must know), and a story attacked me, born of my long history of reading fantasy novels, and the things I was studying in school.

I’ve been a reader of fantasy for years.  My father was and is a member of the International Wizard of Oz club, and proud possessor of the complete series of Oz books and most of the newer fictions as well (they still make Oz books, by the way).  At least he was, until he moved away and distributed his collection amongst us his children.  Following the Oz books came Star Trek, of course, which we watched so often that we had a nightly game of trying to identify the episode by the color of the planet the ship was orbiting, before the name flashed on the screen.  It wasn’t too hard, really, they had a remarkable palette when it came to planets.

Fast forward a dozen years to the impact of Star Wars.  It was a good movie, once, especially to someone who didn’t know just exactly how firmly entrenched in the traditional fantasy archetypes it really was.  I still think the second movie was the best of the lot.  Eventually I got back into books, starting with a SF novel, Hiero’s Journey.  I don’t know why I loved that book, since it really has little in common with my tastes today.  There is a type of book that I call the Guided Tour, in which the book is intended simply to convey the reader from one wondrous product of the author’s imagination to another, with little plot beyond that.  Hiero’s Journey wasn’t that bad, in a post-apocalyptic Earth with drowned cities, mutant beasts, and psychic powers even a simple plot can be pretty cool.  Considering how I’ve become a computer guy, the hero’s quest in search of ancient computer technology seems remarkably implausible.

The next stop was one of my favorite books, Sovereign, and another by R.M. Meluch, The Queen’s Squadron, then classics like The RiddleMaster of Hed, Foundation.  Over time I became a fantasy fan mostly.  SF has become too dry to interest me, I guess.  I prefer stories about people over tech and really cool theoretical notions.

Then along came Kant, and his theoretical idea of a man who did the right thing because it was the right thing to do.  Such a man obviously does not exist in real life, no, but in fantasy–?  In fantasy he could be real, living, working,and suffering for these ideals.  Everyone could, no matter the ideals, or lack of them.  Fantasy is a wonderful venue for doing thoughtful work in a popular way.  (It can also be pretty bad, when the author insists on hitting the reader over the head with his ideas du jour.)  Reading the books gave me something to think about.  Thinking about things made me put them into a story.

Author Q&A

I recently received an email from a local college student that made me really think. She asked:

I have an assignment I’m working on and I have to ask a writer a couple of questions. What is the most interesting part of your work? The least interesting? If I wanted to pursue this area, what advice would you give? What skills should I be working on in school? How can I get more information?

These turned out to be more challenging questions than I expected, and I thought I’d share my answers with all you curious readers out there.

“Before I even begin to respond to your questions you need to know that I am a genre fiction novelist. The answers you got from a short story writer, a literary writer, an essayist, a poet, a journalist or a nonfiction author may be very different. We all come to our calling for different reasons and approach it from different angles. That having been said…

What is the most interesting part of your work?

I write mystery novels so the great fun for me is in crafting the puzzle, building the mystery people will try to solve along with my detective. More than anything else this requires an understanding of human motivations – why people do the things they do – and that is certainly the most interesting aspect of my craft.

The least interesting?

Well, that would be the necessary mechanics. You can’t be a good writer of any kind unless you can communicate clearly, and that means mastering grammar and punctuation. Knowing the difference between being eager and being anxious. Learning where a paragraph should end. And knowing what constitutes a sentence, so you won’t fill your work with fragments like the 3 I just wrote.

If I wanted to pursue this area, what advice would you give?

My most important advice is to read. Read the kind of work you’d like to write, but also read a variety so you can borrow techniques from different places and have more colors on our writing pallet. Whenever you have an emotional reaction to something someone wrote, go back and look at the word choices and the technique used. Figure out how they got that reaction out of you so you can learn to do it to others.

The second most important advice is to write. Write every day. Don’t wait for inspiration or your muse to speak to you. Get in the habit of creating. The writing muscle is like any other, you need to exercise it to make it stronger. We get better at just about anything through practice.

What skills should I be working on in school?

In good literature courses you can learn the basic plots and why they are so often repeated. You should always seek out the theme of a story, not just the plot.

Study history and dig into the biographies of the movers and shakers of our past. These can be the foundation of your own great characters. Learn about other cultures. Expand your vocabulary. Perhaps most important, ask your professors to be hard on you, critiquing every paper sternly, raising the bar for your written communications.

How can I get more information?

There are hundreds of good books on writing, but I don’t think anything takes the place of the fellowship of other writers. So I recommend you join writer organizations. There’s the Virginia Writers Club, the Maryland Writers Association and the American Independent Writers right in this area. Plus, there are organizations for every genre of author. I belong to the Mystery Writers of America, Sisters in Crime and International Thriller Writers Inc. Surround yourself with writers and you will be able to learn things you didn’t know you needed to know.”

Beyond hoping that my responses helped a student get an assignment done, I’d love to hear how some OTHER writers might answer these seemingly basic questions.

Any takers out there?

Trunk stories

Authors rarely publish everything they write. Sometimes the story just doesn’t work, and other times, it may be wrong for the market. Or maybe it just needs some T.L.C., but there are other deadlines to meet, so the tale gets shoved on the back burner.

I’ve got lots of these “trunk stories.” Some are pitiful — rudimentary prototypes of new-found skills. Others are private projects — for my eyes and my satisfaction only. And still others are simply flawed — awaiting the day I have time and energy enough to revisit them.

I don’t see these thousands upon thousands of words languishing in my file folder as wasted effort. The act of writing trunk stories is good exercise. It flexes the writing muscles, works the mind.

No words are bad words. They’re just the raw iron in the smith’s shop, waiting to be wrought into something practical, beautiful, useful, efficient, and solid.

~*~

Heather S. Ingemar has loved to play with words since she was little, and it wasn’t long until she started writing her own stories. Termed “a little odd” by her peers, she took great delight in exploring tales with a gothic flair, and to this day, Edgar Allan Poe continues to be her literary hero. To learn more, please visit: http://ingemarwrites.wordpress.com/ or follow her on Twitter: http://twitter.com/heatheringemar

Buy a story (or two or three): Heather Ingemar on Echelon Direct

THOUGHTS ON FLOGGING A DEAD HORSE

RIDING A DEAD HORSE OR KNOWING WHEN TO MOVE ON

The tribal wisdom of the Dakota Indians, passed down from generation to generation, says that when you discover that you are riding a dead horse, the best strategy is to dismount.

In many modern organizations, however, a whole range of far more advanced strategies are often employed, such as:

  1. Change Riders
  1. Buy a stronger whip.
  1. Do nothing: “This is the way we have always ridden dead horses.”
  1. Visit other companies/countries/governments to see how they ride dead horses.
  1. Perform a productivity study to see if lighter riders improve the dead horse’s performance.
  1. Outsource: hire a contractor to ride the dead horse.
  1. Harness several dead horses together in an attempt to increase the speed.
  1. Provide additional funding and/or training to increase the dead horse’s performance.
  1. Appoint a committee to study the horse and assess how dead it actually is.
  1. Reclassify the dead horse as “living-impaired.”
  1. Develop a Strategic Plan for the management of dead horses.
  1. Rewrite the expected performance requirement for all horses.
  1. Modify existing standards to include dead horses.
  1. Declare that, as the dead horse does not have to be fed, it is less costly, carries lower overhead, and

therefore contributes substantially more to the bottom line than some other horses.

  1. Promote the dead horse to a supervisory position.

Try not to be like these ineffective riders and accept that sometimes the best approach is to know when to move on. How any of this may relate to your reading, dear reader, or to you writers, is for each to decide.  I know that some of my characters have learned these axioms, and some have not.

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