Archive for April, 2010

Crossing Genre Lines

It’s funny where a random conversation can take you.  I’d intended today to write a blog about Virginia’s Woolf’s famous piece about a room of one’s own and how things have changed (or not) in modern times, but instead I found myself woolgathering about the subject of genre after a random hallway conversation with a work acquaintance. 

It all started with the subject of pen names and how many authors have them.  She remarked that she had been amazed to find out that some authors have two or three pen names, and write different types of books under each name – like Snuggie Lovelace for romances, Jimmy Lasersight for science fiction, and L. P. Mystereo for mysteries.  My coworker thought that the writers should be proud of their versatility and have a single name that stretched across the genres.  But it’s not really a lack of pride that keeps writers from using the same name no matter what they write; there are other forces at play here. 

I rolled out the usual explanations to her.  Readers like to know what to expect when they pick up a new novel by a certain writer.  Booksellers like to know where to shelve things.  The marketing departments of publishing houses like to know where to spend their advertising dollars.  It would be awfully silly to buy advertising space for the latest fantasy blockbuster in a magazine aimed at mystery enthusiasts.  Having clear genre boundaries and everyone settled down into neat little boxes seems to make everything run a little smoother in the publishing industry.  But smoother doesn’t necessarily make for great books…. 

In fact, the really great books seem to be the ones that break past these boundaries and defy the neat, orderly boxes of categorization.  One of my favorite books, “The Time Traveler’s Wife” by Audrey Niffenegger, does this.  It’s a romance.  It’s science fiction.  It’s a carefully crafted literary character study.  It is a wonderful book that makes me laugh and cry every time I read it.  I think publishers should publish more books like this in spite of the shelving and categorization confusion it might cause. 

Thank goodness the Powers That Be in New York seem to be catching on.  Cross-genre seems to be latest buzz word on literati circles – Romantic Mysteries, Urban Fantasy, Science Fiction Thrillers, the list goes on and on.  So perhaps one day my coworker’s vision will come true and writers will only need one name, no matter how many different kinds of books they write. 

Like what you read here?

Check out Michelle D. Sonnier’s short stories with Echelon Press here.

Visit Michelle D. Sonnier’s website for even more fiction and blogging fun!

The Spy’s Letter

Nick Valentino’s steampunk novel Thomas Riley is available for purchase HERE at Echelon Press.

Part 1 of Nick Valentino’s YA Steampunk e-short series can exclusively be purchased HERE at Echelon Press.

For more information go to www.sirthomasriley.com
Blog:
http://nickvalentino.blogspot.com/

Twitter:
http://twitter.com/SirThomasRiley

Facebook:
http://www.facebook.com/#!/profile.php?id=100000806797682&ref=profile

Love Is Murder

I am so excited to report that Love Is Murder is returning to the Chicagoland area next year. Considered by many to be the Midwest’s premier mystery con for fans and writers alike, LIM will take place February 4-6, 2011, at the Intercontinental Chicago O’Hare Hotel. This 12th edition of LIM looks to be the best yet with SIX featured guest authors plus a special Local Guest of Honor. There’s lots to be said about this upcoming LIM, so much so that instead of trying to pack it all in here, I’m simply going to copy some of what Ophelia Julien wrote in the first issue of “The Official LOVE IS MURDER Newsletter”.

“Greetings, all you Love is Murder-ites! Long time, no see! You’ve all waited so patiently (well, maybe not some of you, but we like your enthusiasm!), we’re very happy to tell you that plans for the Love is Murder 2011 are in full swing. If you haven’t seen the new website, it is now up and running. Please, please, please, stop in at www.loveismurder.net and check out our impressive list of headliners, all six of them! Pore over our list of events and activities and plan on joining us! And then register! Right away!

“Our stellar list of authors includes Rhys Bowen, Joseph Finder, Caroline Haines, Joan Johnston, Jon Land, and F. Paul Wilson, as well as local guest of honor, Michael Allen Dymmoch. There will be two Master Classes, and Pitch-a-Palooza is back by popular demand, so get those manuscripts polished and ready.

“We are also having our first-ever short story writing contest! If you have never published in any medium, this could be your ticket to breaking into print. All rules and details are at the web site under “Events.” If you’re serious about entering, don’t delay. Entries must be postmarked by July 16, 2010 to give our judges a chance to read them and pick a winner. The winning entry will be announced at the conference, and will also be published in the February, 2011 issue of CrimeSpree Magazine so start writing!”

I will be writing more about Love Is Murder in the days ahead, but if you’d like to receive the monthly LOVE IS MURDER Newsletter, please email “subscribe” to LoveIsMurderNews@gmail.com, OR sign up for the newsletter on the left hand side of the Love Is Murder website opening page.

Hope to see you at Love Is Murder!

My own mustard

Click Cover to BUY eBook Now!

The first year Uncle Bob began making his own Champagne mustard I couldn’t eat it. My young pallet didn’t yet allow me to ingest spicy foods. Uncle Bob’s Mustard (as it would later be called) wasn’t just spicy, though — as I found out the year I successfully tried it — it also had a sweet quality to it.

The condiment/dipping sauce became a staple in the presents Uncle Bob and my Aunt Kim gave at Christmas. Each household in the family got its own container of Uncle Bob’s Mustard, plus some snacks to go along with it: individually wrapped cheeses, summer sausage and pretzel sticks.

The first few months after I moved into my own place I had a weird sensation that I was entering new territory for our family. I was the first child/grandchild to strike out on my own instead of moving from my parents’ house due to marriage or in anticipation thereof. Because this was all new for everyone, it seemed as though no one quite knew how to respond to my living situation.

Although I was definitely living by myself (as evidence of the weekly solo food shopping trips and the unspoken realization that my dirty laundry was not going to miraculously make it back into my closet clean and pressed), in many ways I still felt like I was living with my parents, just an hour away. And since they owned my condo, I was literally still living under their roof.

Paula Deen Green Bean Casserole

My invite to Thanksgiving dinner (which was more of a formalized way of finalizing which home was hosting the family event) was included with my parents and younger brother’s, and my mom affirmed I would be there. I wasn’t asked to bring a dish, though I offered to supply the canned cranberry sauce knowing I would end up eating at least 80 percent of it. My parents or grandparents generally brought the green bean casserole (a dish never missing from the table no matter how much I wished it), while Aunt Kim supplied the desserts.

A month later my named appeared on Christmas cards addressed to my parents.

Christmas Eve rolled around and we were gathered once again at my grandparents’ house for our meatless, Polish feast. After dinner we began passing presents around the living room. Among them were containers of Uncle Bob’s Mustard. Then Uncle Bob handed me a cellophane-wrapped package. Nestled inside a red snowmen-decorated container was a personal-sized jar of Uncle Bob’s Mustard and an assortment of dipp-able goodies.

“Really?” I half-squeaked in surprise. “My own mustard?”

Uncle Bob smiled as I showed off my new acquisition to my mom. “My own mustard.”

Although I did enjoy the mustard, the fact that I received it thrilled me even more. Because even though my name was on the cable bill and I could leave dirty dishes in the sink overnight without anyone knowing they were there, this was the first real validation that I was on my own. I was a household of one.

Katie Pasek is the author of “Sure-foot Sam in Jeopardy” and Junior’s New Home. For more information, please visit www.katiepasek.com.

Name that Name

Does everyone have the same problems finding names for their characters? I usually agonize over choosing the right name, especially if it’s a character I intend to keep around for a long time. It takes time, effort, and a willingness to change the names if they ultimately don’t work or if something unforeseen happens to a name you’ve already chosen.

Choosing a name is an integral part of character construction for major characters and even for some minor characters. In real life names are often bestowed randomly (or relatively randomly, even if there is a family tradition involved in name giving. A name is not usually given because parents know the child’s innate character or because parents want the child to exhibit certain character traits, e.g. who names their kid Snidely?)

But as a writer, you know your characters (or you should) and you know what kind of people they are. So you want a name that fits and fits well. A name that shows who this character is or a name that conjures up feelings in readers.

It ain’t easy.

I suppose there are a few guidelines or tips one can generate and adhere to before finding just the right name for your character. And so I’ll follow common practice and list some of the things I consider before I start the search for a name.

What follows is in no particular order. But I’ll eventually make a longer, more detailed examination of considerations in naming characters.

Of course first and foremost is the sex and gender of the character. The world, at least the world in which I live, is a rich and diverse place. So determining a name based on the sexual nature of your character can be important or it can be nonchalant. There are usually reasons behind choosing a name, however. A female character with a male sounding name Sam (for Samantha) probably has a good reason for wanting to be called Sam. This goes to character construction.

Or, a character may have a gender neutral name for a number of reasons: they like to fool people before they meet them, they are transsexual/transgender/intersex characters, etc. There are a lot of other sex related rationales for names: frilly names for frilly characters, dandy-ish names for dandies, macho names, exciting names, bland names. But they all have a reason behind them.

It all depends on who your character is deep down.

Character traits is another factor that influences naming. Is your character tough, solid, able to take care of herself or himself? Then you won’t want to give them a name like Wilbur or Missy – unless you’re playing against type (not easy to pull off). At the same time, don’t be coy or cutsie by trying to signal something about the character with a too-obvious name that is a variation on some character trait. Let the character’s name be strong but draw that character so well the name you choose can ultimately become an adjective for the type of person he/she is. Scrooge was just a name before the Dickens character gave it definition. The name didn’t define the character.

Is your character long suffering, a heroic type, a deep down good guy, or a dyed in the wool evildoer? Again, this will influence your choice of name. But use caution in choosing something so obvious unless you’re going for a comic effect.

Character Occupation is yet another factor that will exert some influence on your choice of name. Is your character a cowboy or a waitress? Is she a detective of the comic variety or a kick-ass toughie? Accountants have boring names, right? Unless your accountant is a masked superhero by night. But even Batman’s name was Bruce.

What does your character do? What does he/she want to do? What are they capable of? Ask questions of the character and maybe a name will pop.

Culture, Ethnicity, etc. all contribute to a character’s name. It gets complicated but a bit of research (always fun to this librarian) will help. Every country, every culture has it’s own traditions. Pay attention to that especially if you are setting your story in another geographical location. There’s little more distracting than a character with a name that doesn’t fit the place he’s in. If you really happen to love a particular name, there’s probably an equivalent in other languages which will make you happy.

Surnames are also quite important. If you name a character with a surname that would never exist in his/her country, you’re asking for trouble.

If you set your story in the United States, you’ve got a smorgasbord of possibilities. There are ethnic groups, of course, and some stick to their traditions and name their children accordingly. But as a family lives in this country decade after decade, naming children becomes less a matter of sticking to tradition than of trying to fit in with the other kids in the neighborhood. Hence you get Tiffany Sambucca or the equivalent.

Surnames are important in the U.S. as well. We have lots of them. But once again, knowing your character will help you decide on this. Remember who that character is, what his/her background is, who the parents are, where in the US they are living, and more.

Genre will help you decide on names. Naming characters depends on the genre and type of story you’re writing. Fantasy, Horror, Science Fiction, Mystery, Romance, Historical, and any others including all the subdivisions of all of them, as well as crossover stories. Each has it’s conventions and requirements. Of course, you may be going for something that shakes the reader a little and decide to use a name that breaks with convention and tradition. Or you may have other motivations.

In Science Fiction and Fantasy, you often have the advantage of creating a wholly new world. Names can be anything you want. But exercise caution and restraint. I once named an evil character with such a long evil name that even I couldn’t pronounce it and I quickly tired of typing it. I shortened it and it was better and the character was just as evil as he was when he had a longer name.

In Science Fiction and Fantasy works, when you create that new world, remember that it comes with languages, naming conventions, cultural differences, and more. Ya gotta work all that out in advance. Then making up a name will be a piece of glurbduk… I mean, cake.

There are lots of conventions for naming in Science Fiction. Reading widely will help. Fantasy also has its naming practices, but they are broad and you can get a feel for the range by picking up a few books and checking out the names.

Mystery (depending on which branch of that you are following) often has sleuths with strong names. But not always. Miss Marple doesn’t sound like the type to come crashing through a door gun at the ready and spouting obscenities.

Writers often try to invent flashy names for their mystery heroes and sometimes this works. Sometimes it falls flat. A walk through a bookstore will show you what sounds good.

Romance might lead you to think that heroines need frilly names and heroes need tough as nails names. Not so. Be original and avoid naming your heroine Candy or something equally treacly. If you’re tempted to name your hero Rod or something in that vein, throw some cold water on your face and try again.

Historicals present other problems in naming characters. You must choose names that are right for the period and place in which your story is set. Accuracy is paramount. Name an ancient Roman Todd and your readers will laugh their togas off. There’s no way around this rule.

There are lots more considerations and next time I’ll tackle a few of those. The main thing to remember is to do your homework, hit the books and the Internet, and make reasoned decisions.

Cloud Computing For Readers

During the Winter Olympics there were fresh ads for cloud computing and all the benefits. Of course I had to do a search to understand the new terminology (hey, give me a little credit for still doing homework).

Understanding the corporate benefits was one thing, but being a reader made it crystal clear!

In the writing industry every day has some comment, concern, or recent  convert, talking about ebooks, Kindle, Nook, iPad, and all the factors that go along with these changes in publishing – whether it’s full novels or short stories.

But what about the reader?

In the reading ‘industry’ the book shelf is changing with all these new devices, services and sites. It’s wonderful! Die hard readers who love to turn pages are discovering the joys, convenience, and comfort of eink!

Epic novels that once threatened to break a wrist or induce back strain are now on hand held devices. Novels and novellas are a moment away. Thousands of short stories are available with the touch of a few keys.

This means the keeper shelf is now on a ‘cloud’ and it’s limitless!

Most ebook companies store your selections. No, not in a scary big-brother’s watching kind of way – more like a consumer service kind of way. You don’t have to wonder how you’ll cram one more paperback or three-inch hardcover onto the shelf – it’s on your personal reading cloud now!

Since I read almost exclusively on my Kindle or palm now, I’m reading a wider variety of genres and test driving authors I might’ve overlooked before. It’s fun, and every week is a new discovery to enjoy.

I choose what’s on my reading cloud and what’s on my device!

My kids are thrilled I finally read the Eragon series (I had a fear of breaking my nose if I fell asleep reading). Some of my tattered paperbacks have been permanently replaced by ebook editions. And I’m building a collection of short stories as I experiment with new authors.

Give ‘cloud computing for readers’ a try – you’ll be glad you did!

Regan Black

Buy Regan’s novels and short stories for adults and young adults in your favorite format at Echelon Press or places like Amazon’s Kindle!

Keep up with Regan at her website, on facebook, or twitter @reganblack.

Small Price To Pay

I didn’t mind it when I discovered that Nick was having an affair. I mean, I did mind, but we’d been married twenty years. We’ve had some good times, we’ve had some bad times, but most of all, we’ve had some very long lacklustre times. What more can I say?

So it was not the affair that hurt. It was what he’d said.

A week ago, I picked up the phone to arrange a summer camp for the children. That’s when I heard her voice–on my phone–to my husband–discussing a holiday away together.

“I’ll keep the sheets hot for you, Nicky.”

Nicky? I had tried calling him that once in our early days, and Nick had hated it.

“Hot, huh?” Okay, so flirting is not my husband’s strong suite. But his voice was liquid chocolate.

“That’s right. Hot. Come as quickly as you can.”

I almost burst out laughing when I remembered, unkindly, how quickly Nick can come.

“Patience, M,” Nick was saying meanwhile. “We have a whole week.”

M. My husband was having an affair with M, the least likely Bond girl of them all.

“Aren’t you worried to leave your wife alone for that long, though?” she teased. “What’s good for the gander, you know….”

“Nah,” replied my husband. “She’s too vain to have an affair when she’s fat.”

Excerpt from “Small Price to Pay” by Yvonne Walus, Echelon Press, 2007

Follow

Get every new post delivered to your Inbox.

%d bloggers like this: